Wednesday, 16 February 2011

The Annotated Sandman #2 - 'Imperfect Hosts'

Originally published February 1989 - Collected in Preludes and Nocturnes and  The Absolute Sandman Volume One


General notes on the issue


- Starting with this issue the book adopts the standard 24 pages per issue format

- As with issue #1, this issue was extensively recoloured for the Absolute Edition

- Morpheus's appearance in issue #39 Soft Places takes place between issue #1 and this issue.

Page 1


- This is the first appearance of Cain and Abel, who will become regular supporting characters. Both are obviously based on the characters from the biblical story, but both were also established characters in the DC Universe, Cain having hosted the anthology comic House of Mystery, Abel its sister title House of Secrets. This part of their character would later be played with in issue #40. They also both appeared in the humour comic Plop! alongside Eve, who will be seen later.

- The idea of Cain obsessively killing Abel, in reference to their biblical origins, was first introduced during their appearances in Alan Moore's Swamp Thing but is much elaborated on here.

- Whether the pair are really the biblical Cain and Abel is one of the more ambiguous questions posed during the comic's run, and one we shall come back to. Suffice to say it is left deliberately obscure.

Page 3


- Gregory is Cain's pet gargoyle, who also appeared in House of Mystery and Plop!.

- This is the first time Morpheus is referred to as 'Prince of Stories', one of his more commonly used names across the course of the series.

Page 4


- 'The first story' is of course a reference to the Biblical version of the Cain and Abel story. The fact that Abel chooses to introduce himself as being 'from the first story' indicates something of the nature of those who live in the Dreaming and the importance of stories here.

- 'The Shifting Zones' are never elaborated upon, but it is reasonable to assume they are the unstable edges of the Dreaming, also referenced in issue #39 Soft Places.


Page 5


- "It was a dark and stormy nightmare" - This is a pun on 'It was a dark and stormy night', a classically clichéd way to begin a story, most famously used by Snoopy in the Peanuts comics.

- 'The Dreamtime' is another name for the Dreaming, taken from Aboriginal myth.

- The 'Gates of Horn and Ivory' are a classic part of dream mythology, dating back to references from Homer (in the Iliad) and Vergil (in the Eclogues). 'True' dreams (i.e. visionary or prophetic ones' leave the dreaming through the gates of horn, while false one exit through the gates of ivory. This idea is left almost completely intact.

Page 6


- 'Penny Dreadfuls' and 'Shilling Shockers' are, as the names suggests, cheap pulpy British horror stories.

- Notice that Abel emerges from his own portrait across the course of the page.

Page 8


- Arkham Asylum is an infamous institution in the D.C. Universe. Based in Gotham City, it is an asylum that holds the world's most insane supervillains, such as most of Batman's rogues gallery. Inmates include The Joker, Two-Face, The Riddler and many more.

- Ethel Dee here is clearly meant to be the former Ethel Cripps, the woman who walked out on both Rodrick Burgess and Ruthven Sykes in the previous issue.

- In the fourth panel a misdrawing indicates that it is the Doctor speaking the bubble beginning with "This is my son...". This is clearly incorrect and was not fixed in the Absolute edition.

Page 9


- The doctor here is identified as Doctor Huntoon, who had previously appeared in an issue of Swamp Thing


- This is the first appearance of John Dee aka. Dr Destiny.  Created by Gardner Fox and Mike Sekowsky, he first appeared in Justice League of America #5 (June 1961). Originally a villain with the power to manipulate gravity, he later built a device known as the Materioptikon which allowed him to turn dreams into reality. he was a recurring villain for the Justice League throughout the Silver Age and also interacted with Garrett Sanford, the Silver Age Sandman. The reason he cannot dream is that the Justice League manipulated his psyche to prevent him from doing so, thus hindering his use of his Materioptikon.

Page 12-13


- This is the first appearance of Lucien, Morpheus's librarian and one of his oldest and most loyal servants. As we find out in The Kindly Ones, he is one of the oldest beings in The Dreaming save for Morpheus himself.  He plays a prominent role throughout the rest of the series, acting as Morpheus's major-domo and confidante.

- "You are the incarnation of this Dreamtime, Lord." - This is the first indication we receive that Morpheus is more than just a figure or a king of dreams but is in some way dreams themselves.

Page 14


- The Raven Woman is later identified as Eve, who appeared alongside Cain and Abel in Plop!


- Brute and Glob become important later on in The Doll's House where their full history will be recounted.

Page 16


- Morpheus reveals the importance of his tools for the first time.

- The first mention of the 'Three-In-One', who are critical characters throughout the story. Here they are called Urth, Verthandi and Skald, which are names in Norse mytholgy. Collectively the three are known as the Norns and were supposedly responsible for tending to Yggdrasill, the World Tree. More on the Three-In-One in a moment.

Page 17


- Here we see Morpheus has the ability to reshape The Dreaming just by willing it.

- The Three-in-One is often associated with crossroads, especially in the form of the Greek Goddess Hecate.

- Clotho, Lachesis and Atropos are the names of The Fates in Greek mythology, yet another reference to the Three-in-One.

Page 18


 - The Witching Hour was the name of another DC horror comics anthology, hosted by the three witches as shown here

- This marks the first appearance of the 'Three-in-One' also known as The Fates, The Norns, The Wyrd Sisters, The Furies, The Hecatae, The Three Faces of Eve, The Kindly Ones etc.

- The idea of a triumvirate goddess dates back to Egyptian times, and has since been repeated in many cultures across many different parts of the world. All that remains consistent about the myth is that it is always three ladies who are formed of one singular personality. They are often represented (as they are here) as the three stages of womanhood - Maiden, Mother and Crone. Gaiman's key idea was that all of these various legends are in fact incarnations of the same being, a concept which will come into play as the three pop up numerous times across the course of the narrative.

- 'The Hecatae' seems to be a plural form of 'Hecate' the Greek goddess of three faces.

- Although these three have appeared in DC comics before, their association with the Three-in-One is an original idea by Gaiman.

Page 19


- As in The Witching Hour the Three here represent the classic English/Celtic myth of the Wyrd Sisters, most famously displayed in Shakespeare's Macbeth.


- Note that across the panels the Three cycle positions around the pot.

- Morpheus refers to the Crone as Atropos, who was the Greek Fate responsible for cutting the thread of life.

- The Crone refers to herself as Morrigan, an Irish goddess sometimes depicted as a triple goddess.

- Tisiphone, Alecto and Magaera are the names of the Erinyes, or The Furies, the ancient Greek beings dedicated to punishing blood crimes and oath breakers. They were named as such by Vergil in the Aeneid and the names mean 'Avenging', 'Unceasing' and 'Grudging' respectively. This incarnation of the Three will be critical to the climax of the Sandman story in The Kindly Ones.


- Diana, Mary and Florence were the three members of legendary 60's girl group The Supremes.

- "For me you will always be the three graces, ladies." - Morpheus is referencing another incarnation of the threefold goddess. Also known as the Charities, in this form they were called Aglaea, Euphrosyne and Thalia and were goddesses of charm and grace, hence their rebuke of Morpheus as 'Flatterer!'

- The names given are the names the ladies used in The Witching Hour. As the crone says, Mordred is a stupid name as it is an Authurian reference to Arthur's bastard son Mordred. presumably the writers were aiming for Morgaine, who was Arthur's wily sorceress half-sister, and Mordred's mother in some versions of the tale. This mistake is even commented upon by Mildred.

Page 20


- Note that the three again cycle positions. Also character on the left is always the one eating no matter which of the three it is.

- Circe is both the name of a sorceress in Homer's Odyssey and a villain of Wonder Woman. Neither of them were known to have a conflict with the Fates, so this reference appears redundant. 


Page 21


- John Constantine is a well know figure in the occult circles of the DC Universe. More on him next issue.

- That is of course Ruthven Sykes in the middle panel.

- The last panel refers to Dr Destiny's aforementioned conflict with the JLA and the confiscation of both his ability to dream and his Materioptikon. This is the first indication he gained his powers for Morpheus's ruby. Shown in the panel are Green Lantern (Hal Jordan) and Batman, the only time either will appear.

- Morpheus explicitly refers to the three as Maiden, Mother and Crone, and collectively as Weird Sisters.

Page 22

- The Three refer to themselves as 'The Fates'.

- We see that Abel's deaths are only ever temporary.

Page 24


- "I'm, ah, calling you Goldie after a f-friend of mine who went away." - In the original run of House of Secrets Abel had an imaginary friend called Goldie, who is absent in The Sandman.

- It's unclear who is speaking the lines in the final panel. It seems designed to be a continuation of Abel's speech from the last panel, but the 'little brother' indicates that it may also be spoken by an unseen Cain, in which case the "It's only blood" line may also be a reference to their relationship (as brothers, they are related 'by blood')

Monday, 14 February 2011

The Annotated Sandman #1 - 'Sleep of the Just'

Originally published January 1989 - Collected in Preludes and Nocturnes and The Absolute Sandman Volume One


General notes on the issue


As is standard for a first issue, this is significantly longer than a 'normal' release

- When The Absolute Sandman was issued all of the stories had their colours remastered, but early stories were so inconsistently, and in some cases, just plain badly, coloured that Vertigo had the first 18 issues completely recoloured from the ground up. This causes significant visual differences between the two versions, and although they are never plot relevant, I have noted especially egregious or interesting touch up work.

- It is generally accepted that this first plot arc is a prototype for the series. Therefore the style is considerably more dark, gothic and violent, and the story as a whole leans towards themes of Satanism and occultism as opposed the high fantasy that characterised later tales.



Page 1


- "Wych Cross, England." - It's mentioned in issue #65 that the manor itself used to be called Wych Manor before being renamed to its current title of Fawney Rig

Page 2


- "His destroyer was sunk last week, off Jutland" - The Battle of Jutland, the most famous naval battle of the First World War, had indeed finished the week before, on June 1st.

- The 'Magdalene Grimoire' does not appear to be an actual book. It could be a reference to Mary Magdalene, the disciple of Christ, or to Magdalene College, Cambridge, or Magdalen College, Oxford. The book itself will not be mentioned again in The Sandman after this issue, but would later become a key plot point in the miniseries The Girl Who Would Be Death.

Page 3


- The book Ellie's mother is reading to her from is Carroll's Through the Looking Glass, a highly appropriate choice given the circumstances.

- There are genuine and tragic stories of boys as young as 13 or 14 lying about their age and enlisting in the army. Recruiters, needing soldiers, generally turned a blind eye to this.

Page 4

- Note how Rodrick Burgess insists on being called 'Magus' even by his son, rebuking him for his use of 'Father'. This is our first hint of the tempestuous relationship between them.

- 'Aleister' is of course a reference to the famous mystic and occultist Aleister Crowley(1875-1947) who would have been a genuine contemporary during this period. It seems highly likely the character of Burgess Sr. was based on the stories around Crowley.

Page 5


- The man who speaks to Burgess Sr. as he enters the chamber is almost certainly the Order's second-in-command Ruthven Sykes, identifiable by his glasses. He is named later in this issue


- The summoning does not appear to be based on any actual ritual.

Page 6


- Lots and lots of names here. Namtar is a Mesopotamian god of pestilence. Allatu is a Carthaginian goddess of death. Morax is a demon mentioned in the demonological text The Key of Solomon. Naberius is another demon, commonly associated with Cerberus. Vepar is a Duke of Hell. I cannot find any information on Klesh or Maymon, but it's reasonably safe to assume these are more demonic references.

- Ashema-Deva is a Zoroastrian form as the demon Asmodeus. Horvendile may be an incredibly obscure reference to a character in The Biography of Manuel by James Branch Cabell, though this seems dubious. I can find no references for Maborym.

Page 7

 The first appearance of the titular Sandman, Morpheus. In the original printing, he's wearing an extremely garish purple and green getup with red gloves, quite out of character with the gothic, brooding figure we meet later. This is fixed by the recolouring in the Absolute edition.

Page 8


- Among the numerous symbols scrawled around the edges of the circle, pentagrams, the traditional symbol of demonology, are clearly visible.

- The three items taken from Morpheus on the next page are clearly visible here.

Page 10


- Ellie is still holding the copy of Through the Looking Glass


Page 12


- Ruthven Sykes can again be seen here in panels 2, 3 and 4, standing to the right of Burgess Sr.

Page 13


- There is no 'Royal Museum' in England, only one in Scotland. Since this looks to be London, it's probably an amalgamation of several other museums.

- Note Hathaway uses one of the artifacts to commit suicide, presumably to escape from Burgess's clutches. This will be mentioned in the caption atop the next page.

Page 14


- In panel 2, that's Sykes again on the right, distinguishable by his darker skin and glasses (This is more obvious in the recoloured Absolute edition.). Considering this seems to be a family portrait, it implies an extremely close relationship between Sykes and Burgess.

- The newspaper reveals several interesting titbits of information. Burgess Sr, was born Morris Burgess Brocklesby  in Preston, Lancashire in 1872. His wealth was inherited, based on industry. The Daily Mail would still have been a respected paper in 1920, as opposed to the tabloid it is today.

Page 15


- Note the skull in the bookcase in panel 1.

- Sykes again in panels 2, 3, 4 and 6. In panel 3 he's picking up a photo off of the mantelpiece. In panel 4 we can see it's a photo of Burgess's wife/mistress, as she appeared on the previous page. Sykes is finally named in panel 6.

- The Paginarum Fulvarum is a real book, but not in the way you might think. The name roughly translates as 'Yellow Pages' aka the famous UK telephone directory. This play on words was also used by Terry Pratchett in the Discworld  novels (about the Necrotelicomnicon, itself a telelphone-based pun).

- The first mention of 'The Endless'. We don't know what they are at this point, but Burgess mentions 4 by name - Death, Destiny, Desire and Dream, who is identified as the prisoner in the cell.

Page 16

- Sykes is finally named fully, as is Burgess's mistress.

- The three artifacts taken from Morpheus can be clearly seen in panel 4.

- The hissing voice of the demon seems to indicate that this is Choronzon, who has the helmet in a later issue, although the vocal tic is considerably less exaggerated by then.

Page 17


- Note that aside from the demon's amulet, Ethel Cripps is also wearing Morpheus's ruby around her neck. 


Page 18


- Both Unity's rapist and her baby will become important characters later on in the story.

- Wesley Dodds is the Golden Age Sandman, the first masked hero to bear that name in the DC Universe. Created by Gardner Fox and Bert Christman, his first appearance was in Adventure Comics #40 in July 1939. He was a founding member of the Justice Society of America, the first great superhero team. Dodds will pop up on several occasions throughout the storyline. His association with Gaiman's Sandman led to a revival of interest in the character including an ongoing series, Sandman Mystery Theatre, which ran for 70 issues and 1 annual from 1993-1998. He also plays a small but critical role in Mark Waid and Alex Ross's critically acclaimed Kingdom Come (1996).

- Dodds's costume is correct, although he later changed it.

Page 20


- Encephalitis Lethargica is a real disease, and there genuinely was a mass outbreak between about 1915 and 1926, roughly corresponding to the first years of Morpheus's capture.

Page 21

- The first appearance of Paul McGuire, Alex Burgess's friend and (as it is later revelaed) lover. He will have a large role in The Kindly Ones and also make a few appearances in The Wake.


- In the original printing, the car parked outside changes colour after just two panels. This is fixed in the Absolute edition.

Page 22


- This is the first time we actually see Morpheus's face, complete with his characteristic black eyes.

Page 23


- The quote on the guard's T-shirt is "Do What Thou Wilt, Buster!". The 'buster' is clearly meant to establish the character as Daffy Duck, but "Do what Thou Wilt" is half of a famous quote from the aforementioned Aleister Crowley ("Do what thou wilt, and that shall be the whole of the Law.")


Page 25


- The figure behind Alex Burgess who ages along with him is probably Paul McGuire. The other figures are just nameless guards.


- The book the guard is reading is Stephen King's famous horror story It, released in 1986. 


Page 29


- The man in the checked shirt is Paul McGuire, as seen when wheeling Alex Burgess away on page 26.

Page 31


- The famous figures in panel 4 are those mentioned in the dialogue, (l to r) Marilyn Monroe, Elvis Presley (in his Blue Hawaii look) and John Wayne (nicknamed 'The Duke'). The bearded figure in panel 5 is likely Colonel Saunders of KFC fame, holding a bucket of his famous fried chicken. Ron and Nancy is probably a reference to the then current US President Ronald Reagan and his wife.

Page 36

- "Lord, what fools these mortals be..." is a quote from Shakespeare's A Midsummer Night's Dream a play that we shall later see Morpheus has an especially close connection to.

Page 37


- Note that with the addition of the stars as 'eyes' the window now resembles Morpheus's helmet.



The Annotated Sandman - Introduction



For a long time, I've adored the work of Neil Gaiman. One of his greatest works in my eyes has always been the seminal comic book series The Sandman, the tale of Morpheus, King of Dreams, and his return after a long imprisonment in the waking world.

The Sandman is packed full of references, nods and allusions, from classical mythology, literature, films, music, demonolgy, philosophy and everyday life. Reading it can be quite an overwhelming experience, and there's so many things that can be missed on a first, or even a second or third run-through. Some of the more obscure references and allusions may escape even the keenest eyed comics fan.

What I'm setting out to do then, is provide an annotated breakdown of every part of The Sandman's run, 75 regular issues and one special issue. I'm hoping to catalogue each head nod, each instance of foreshadowing, each neat in joke and everything else to provide a definitive guide through the story of Dream. A few simple points then.

- This isn't intended to be for first time readers. Since foreshadowing is everywhere, huge spoilers will be equally common. I'll often make references to things that happen in future arcs, and at least a basic knowledge of the comic's structure and plot is assumed.

- This isn't intended to be an analysis of the themes or messages behind the comic. I'll occasionally offer an opinion to that effect, but only when it is relevant to a point I'm annotating

- I'm not Neil Gaiman naturally, so I can only guess at what he was trying to get at. When a reference is a supposition on my part, I'll clearly say so.

- I'm not infallible, I do make mistakes. If you've spotted an error or an omission, please let me know.